The Almeida Theatre is a 325-seat producing house located on Almeida Street off Upper Street in the London Borough of Islington. The theatre opened in 1980, and produces a diverse range of drama.
- Venue
- Almeida Theatre
- Address
- 020 7359 4404 Almeida Street
- Town
- London, GB
- Capacity
- 325
The Almeida Theatre is a 325-seat producing house located on Almeida Street off Upper Street in the London Borough of Islington. The theatre opened in 1980, and produces a diverse range of drama. Successful plays are often transferred to West End theatres. The building that now houses the theatre was originally constructed in 1837 for the newly formed Islington Literary and Scientific Society. It included a library, reading room, museum, laboratory, and a lecture theatre seating 500. The architects were the fashionable partnership of Robert Lewis Roumieu and Alexander Dick Gough. The library was sold off in 1872 and the building was disposed of in 1874 to the Wellington Club (Almeida Street then being called Wellington Street) which occupied it until 1886. In 1885 the hall was used for concerts, balls, and public meetings. The Salvation Army bought the building in 1890, renaming it the Wellington Castle Barracks (Wellington Castle Citadel from 1902). To suit the building's new purpose, the front-facing lecture hall's tiered benches were replaced so that the congregation was seated in the conventional position, facing away from the front, and a balcony was added. The Salvationists remained there until 1955. For a few years from 1956 the building was a factory and showroom for Beck's British Carnival Novelties, then remained empty until in 1972 a campaign began to turn it into a theatre. The building was Grade II listed by English Heritage in 1972. The current modified building retains the listing. The campaign to open the building as a theatre was led by the Lebanese-born opera and theatre director Pierre Audi, after he had acquired the derelict building in 1979. A public appeal was launched and in 1980, with the building renovated, the theatre opened with a festival of avant-garde music and performance, held both there and at other Islington venues, with Audi as the Artistic Director. Under Audi the theatre's reputation grew and its annual contemporary music festiva