StereoFloss

Black Hawk - Live Music Venue in San Francisco

The Black Hawk was a San Francisco nightclub that featured live jazz performances during its period of operation from 1949 to 1963. It was located on the corner of Turk Street and Hyde Street in San Francisco's Tenderloin District.

Venue
Black Hawk
Town
San Francisco, US

The Black Hawk was a San Francisco nightclub that featured live jazz performances during its period of operation from 1949 to 1963. It was located on the corner of Turk Street and Hyde Street in San Francisco's Tenderloin District. Guido Cacianti owned the club along with Johnny and Helen Noga. The Black Hawk's intimate atmosphere was ideal for small jazz groups and the club was a very popular hangout. In 1959, the fees that the club was able to pay jazz acts rose from less than $300 to more than $3,000 a week. A "cage" area separated by woven wire fencing was provided for patrons under 21 years old who could not legally consume alcohol. This exception to the liquor laws was set up by an agreement between Black Hawk owner Guidio Cacianti and Mayor George Christopher, and made it possible for children to experience jazz. A number of musicians recorded albums at the club, including Miles Davis, Cal Tjader, Thelonious Monk, Shelly Manne and Mongo SantamarĂ­a. Other notable musicians who appeared there include the Dave Brubeck Quartet, John Coltrane, Dizzy Gillespie, Chet Baker, Vince Guaraldi, Stan Getz, Mary Stallings, Johnny Mathis, Art Blakey, Shorty Rogers, Art Pepper, Art Farmer, Gerry Mulligan, Horace Parlan and Russ Freeman. Art Tatum mainly did concert work in the last 18 months of his life; he played the Black Hawk in 1955. Sunday afternoon sessions at the Black Hawk offered blowing time to young musicians. After a young sextet working at the Black Hawk brought Johnny Mathis in for a Sunday afternoon session, Helen Noga, co-owner of the club, decided that she wanted to manage his career. In early September 1955, Mathis gained a job singing at weekends for Ann Dee's 440 Club. After repeated attempts, Noga convinced George Avakian, then head of Popular Music A&R at Columbia, to see him. Avakian came to the club, heard Mathis sing and sent the now famous telegram to his record company: "Have found phenomenal 19-year-old boy who could go all the way." Billie Holida