Boettcher Concert Hall is a concert hall in Denver, Colorado and is home to the Colorado Symphony. It is named after Colorado native and philanthropist Claude K.

Venue: Boettcher Concert Hall
Address: 1080 14th Street
Town: Denver, US

Boettcher Concert Hall is a concert hall in Denver, Colorado and is home to the Colorado Symphony. It is named after Colorado native and philanthropist Claude K. Boettcher. The Colorado Symphony is the primary occupant of the Boettcher Concert Hall. Established in 1989 as the successor to the Denver Symphony Orchestra, the Colorado Symphony rehearses and performs primarily in Boettcher Concert Hall, but also throughout the Front Range. The orchestra draws 150,000 patrons to 90 performances every year to the concert hall. Its current president and CEO is Daniel Wachter, and its current music director is Peter Oundjian. Boettcher was the first symphony hall in the round in the United States. Built in 1978 by Hardy Holzman Pfeiffer Associates, as a home for the Denver Symphony Orchestra, the hall is part of the Denver Performing Arts Complex, which is the second largest performing arts complex in the United States after Lincoln Center in New York City. Boettcher originally opened to mixed reviews. Due to its size in relation to the size of the community it serves, its 2,362 seats are often not completely filled. Tuned acoustically with a full house in mind, Boettcher originally suffered from hot and cold spots when the theater was only partially filled. In mid-2014, The Denver Post reported that the city of Denver was considering a plan to demolish Boettcher Concert Hall and build an outdoor amphitheater in its place at the Denver Performing Arts Complex. This was in tandem with a planned temporary move out at the end of the 2014-15 concert season to accommodate $17 million in upgrades of the facility. The city had also considered building a smaller venue owing to the attendance of the hall's primary occupant (Colorado Symphony) routinely filling only about half of the existing capacity. The city explored building a venue with reconfigurable seating, allowing shows with as few as 500 attendees, to better accommodate a wider variety of performances and reach a broader a