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Confidencen - Live Music Venue in Solna

Confidencen, or Ulriksdal Palace Theatre (Swedish: Ulriksdals slottsteater), is a theatre in the park of Ulriksdal Palace in Solna, in the Swedish capital Stockholm. Built in the 1750s and restored from the late 20th century, it is the oldest Rococo theatre in Sweden.

Venue
Confidencen
Address
Slottsallén 3, SE-170 79
Town
Solna, SE

Confidencen, or Ulriksdal Palace Theatre (Swedish: Ulriksdals slottsteater), is a theatre in the park of Ulriksdal Palace in Solna, in the Swedish capital Stockholm. Built in the 1750s and restored from the late 20th century, it is the oldest Rococo theatre in Sweden. The history of the theatre goes back to the 1750s, making it the oldest Rococo theatre in Sweden. In 1751, Louisa Ulrika of Prussia was crowned Queen of Sweden after her marriage to King Adolf Frederick. Ulriksdal Palace was given to her as a gift, and it was at her initiative that the theatre was constructed, inspired by other European palace theatres. For this purpose an already existing building was used, built in the 1670s as a stable and also housing a tavern. A new facade had at that time just been constructed for the building to designs by Carl Hårleman. It is also probably Hårleman who was originally contracted with designing the theatre, but when Hårleman died in 1753 architect Carl Fredrik Adelcrantz was instead commissioned with creating the theatre within the premises of the building. It seems that the construction was carried out with haste in order to have it finished in time for the arrival of a French theatre troupe. He created an intimate theatre room in the large, rectangular room of the former stables. Its layout and decoration are in the style of French Rococo. The rooms of the former tavern were converted into reception rooms with comparatively restrained decorations, and above these the dressing rooms for the actors were located. The reception rooms were equipped with cocklestoves and decorated with silken wallpapers, parquetry floors and decorations made by Johan Pasch. The largest of the reception rooms were more elaborately decorated, notably in a form of Rococo which displays German influences rather than French, and exhibits a number of features not known from any other works by Adelcrantz, indicating that the queen (who was of German origin) may have been personally involved