The Mark Taper Forum is a 739-seat thrust stage at the Los Angeles Music Center designed by Welton Becket and Associates on the Bunker Hill section of downtown Los Angeles. Named for real estate developer Mark Taper, the Forum, the neighboring Ahmanson Theatre and the Kirk Douglas Theatre are all operated by the Center Theatre Group.
- Venue
- Mark Taper Forum
- Town
- Los Angeles, US
- Capacity
- 739
The Mark Taper Forum is a 739-seat thrust stage at the Los Angeles Music Center designed by Welton Becket and Associates on the Bunker Hill section of downtown Los Angeles. Named for real estate developer Mark Taper, the Forum, the neighboring Ahmanson Theatre and the Kirk Douglas Theatre are all operated by the Center Theatre Group. The Mark Taper Forum opened in 1967 as part of the Los Angeles Music Center, the West Coast equivalent of Lincoln Center, designed by Los Angeles architect Welton Becket and Associates. Peter Kiewit and Sons (now Kiewit Corporation) was the builder. The dedication took place on April 9, 1967, at an event attended by Governor Ronald Reagan. The smallest of the three venues, the Taper is flanked by the Dorothy Chandler Pavilion and the Ahmanson Theatre on the Music Center Plaza. Becket designed the center in the style of New Formalism, which emphasized geometric shapes. The perfectly circular Taper is considered one of his best works, featuring a distinctive decorated drum of a design with its exterior wrapped in a lacy precast relief by Jacques Overhoff. The lobby has a curving, abalone wall by Tony Duquette. Charles Moore described Becket's design for the Music Center as "Late Imperial Depression-Style cake". Becket designed the building not knowing who would use it. Various proposals included chamber music concerts, or even grand jury meetings. Ultimately Dorothy Chandler, the Los Angeles cultural leader, convinced Center Theater Group artistic director Gordon Davidson to use the Taper. For 38 years, Davidson was the artistic director of Center Theater Group, which also ran the Ahmanson and eventually the Kirk Douglas Theater in Culver City. The Taper became known for its thrust stage, jutting into a classical, semicircular amphitheater, which creates an especially intimate relationship between audience and performer. The building bears an architectural resemblance to Carousel Theatre at Disneyland, also designed by Welton Becket and A