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Olympic Theatre - Live Music Venue in London

The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence.

Venue
Olympic Theatre
Town
London, GB

The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian theatres (Opera Comique, Globe and Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship Ville de Paris. It opened on 1 December 1806 as 'a house of public exhibition of horsemanship and droll.' In 1813, Astley sold the theatre to Robert William Elliston, who refurbished the interior and renamed it the Little Drury Lane, reflecting its proximity to the large Drury Lane Theatre nearby. Elliston had the theatre substantially rebuilt and reopened it with William Thomas Moncrieff's comedy Rochester - or, King Charles the Second's Merry Days. John Scott purchased the playhouse at Ellison's bankruptcy auction in 1826 and gave the building gas lighting. In 1830, Lucia Elizabeth Vestris (1787-1856) leased the house, becoming the first female actor-manager in the history of London theatre. She had already made her fortune as a singer, a dancer (of some repute) and an actor. Together with her business partner, Maria Foote, and later with her husband, the actor Charles James Mathews, who joined the company in 1835, Madame Vestris initiated several theatrical innovations, such as the use of historically correct costumes and more elaborate scenery, including a box set with ceiling, which she is said to have introduced in Britain. Her stewardship began with a programme of four pieces including Olympic Revels, and under her managem