Liverpool Philharmonic Hall is a concert hall on Hope Street in Liverpool, England. It is the home of the Royal Liverpool Philharmonic Society and is recorded in the National Heritage List for England as a designated Grade II* listed building.
- Venue
- Philharmonic Hall
- Address
- Hope Street, Liverpool, Merseyside, L1 9BP, England
- Town
- Liverpool, GB
- Capacity
- 1,700
Liverpool Philharmonic Hall is a concert hall on Hope Street in Liverpool, England. It is the home of the Royal Liverpool Philharmonic Society and is recorded in the National Heritage List for England as a designated Grade II* listed building. It is not the original concert hall on the present site; its predecessor was destroyed by fire in 1933 and the present hall was opened in 1939. The Liverpool Philharmonic Society was founded in 1840 but initially did not have a permanent concert hall. In 1844 the Liverpool architect John Cunningham was appointed to prepare plans for a hall. The initial requirement was for a "concert room" holding an audience of 1,500 which would cost at least £4,000 (equivalent to £439,000 in 2025). Later that year the requirement was increased to a "new concert hall" to accommodate an audience of 2,100 and an orchestra of 250, plus "refreshment and retiring rooms". Subscribers were invited to both buy shares and to purchase seats along the sides of the hall. The foundation stone was laid in 1846 and plans were made for Mendelssohn to write a cantata to be played in his presence at the opening of the hall. Mendelssohn did not live long enough to write the work. The hall cost £30,000 (equivalent to £3.3 million in 2025) and was opened on 27 August 1849 accompanied by a week long festival. A correspondent for The Times reported that it was "one of the finest and best adapted to music that I ever entered". The correspondent described the interior: The orchestra, on each side of which is a canopied box for the use of the committee or the directors of the concert, is at the east end of the hall, recessed under an arch, filled to the extremities by the instrumental and choral phalanx of executants, disposed semicircularly, with numberless bronze music-stands, each surmounted by a lyre. It has a most imposing appearance. A large organ, of simple but classic design, backs the orchestra. The length of the body of the hall, without the orchestra, is abo