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Syria Mosque - Live Music Venue in Pennsylvania

Syria Mosque was a 3,700-seat performance venue located in the Oakland neighborhood of Pittsburgh, Pennsylvania. Constructed in 1911 and dedicated on October 26, 1916, the building was originally built as a "mystical" shrine for the Ancient Arabic Order of the Nobles of the Mystic Shrine (the Shriners) and designed by Huehl, Schmidt & Holmes architectural firm of Chicago.

Venue
Syria Mosque
Town
Pennsylvania, US

Syria Mosque was a 3,700-seat performance venue located in the Oakland neighborhood of Pittsburgh, Pennsylvania. Constructed in 1911 and dedicated on October 26, 1916, the building was originally built as a "mystical" shrine for the Ancient Arabic Order of the Nobles of the Mystic Shrine (the Shriners) and designed by Huehl, Schmidt & Holmes architectural firm of Chicago. It was recognized as one of the best examples of Exotic Revival architecture. Located at 4400 Bigelow Boulevard, it held numerous events over the years, mainly highlighted by concerts of the Pittsburgh Symphony Orchestra and numerous internationally recognized music performers, as well as comedians and political rallies and speeches. In addition to the main theater, events also took place in the building's smaller "Syria Mosque Ballroom" space. The Medinah Temple in Chicago (constructed one year after this building by the same firm) is a similar building still in existence (though now converted to retail space). Despite community efforts to have Syria Mosque designated a historic landmark, the building was demolished August 27, 1991. Pakistani-Canadian architect Gulzar Haider described the appearance of the building circa 1960:As we turned onto a minor street on the University of Pittsburgh campus, [my host] pointed to a vertical neon sign that said in no uncertain terms “Syria Mosque.” Parking the car, we approached the building. I was fascinated, albeit with some premonition. I was riveted by the cursive Arabic calligraphy on the building: la ghalib il-Allah, “There is no victor but Allah,” the well-known refrain [inscribed on the walls of] Granada’s Alhambra. Horseshoe arches, horizontal bands of different colored bricks, decorative terra-cotta-all were devices to invoke a Moorish memory. Excitedly, I took a youthful step towards the lobby, when my host turned around and said, "This is not the kind of mosque in which you bend up and down facing Mecca. This is a meeting hall-theater built by Shri